Director | Choreographer
Galia Backal is a first generation Mexican American and a New York City based director, choreographer, and collaborator. She loves collaborating with playwrights and composers on new works, plays, dance theatre pieces, and musicals. She is drawn to work that supports themes of diversity, inclusion, and intersectionality so that audiences can dive deeper into the stories of groups that have been traditionally underrepresented.
Galia received her BA in Directing from Pace University and is currently a part of the 2020 – 2021 Roundabout Directors Group Cohort and The Civilians 2020 – 2021 R&D Group. She has worked with The Drama League, Samuel French, Atlantic Theater Company, The Broadway League, Theatre for a New Audience, The Sol Project, The Tank, LaGuardia Performing Arts Center, and TADA Theatre.
As the Associate Director, Galia just completed a National Zoom Tour of CARLA'S QUINCE, a theatrical immersive zoom experience aimed at mobilizing young Latinx voters to the polls.
Galia has acted as director and creator for collaborative works including A Very Girly Story (EAT), One Day Older (Theatre Row), Silence (The Tank), Nightcap (Match:Lit Theatre Company), and If I Dare (Layton Studios). Other productions include INÚTIL by Alisha Espinosa (Teatro LATEA), Canciones Project Workshop by Beto O’Byrne (The Sol Project), The End of Incorporated Filth by Chloe Hayat (The Chain Theater), West Side Story (Bay View Music Feastival), Latch by Tom Mularz (Samuel French OOB Festival), Gruesome Playground Injuries by Rajiv Joseph (Schaeberle Studio Theatre), July 7, 1994 by Donald Margulies (Schaeberle Studio Theatre), Macbeth the Musical (DTASC Festival), God's Country by Steven Dietz (DTASC Festival), Buried Child by Sam Shepard (DTASC Festival), Sister Mary Ignatius Explains It All To You by Christopher Durang (NSLC at the Manhattan Theatre Club Studios), and Dinner with Friends by Donald Margulies (DTASC Festival).
Click here for Galia's resume.